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thetvmouse:

“She’s a scientist. She just makes me work for everything.”

And it has to be that way. Diana just clarifies what we already knew: Mulder doesn’t need another Mulder. Someone who already believes his theories would be of absolutely no use to him. In the “Inside The X-Files” special, David Duchovny says that Scully is Mulder’s human credential. She sets his feet on the ground, and her respect for him makes others believe that he’s worthy of that respect. Nothing he does would matter without her integrity as an investigator, a scientist, and a human being. Mulder needs Scully, and no one else.

(via Times Mulder and Scully Should Have Made Out This Week, Volume 10)

thylaed:

shout out to people who are scared to call others out, whose hands shake when they try to explain what’s wrong, whose throats threaten to close up with thoughts of ‘what if i’m just overreacting’, whose hearts are pounding out of their chests because they just stuck their necks out for their beliefs, who have lost friends and respect and safety for aligning themselves with causes

(Source: princepatroclus)

My Least Favorite Trope (and this post will include spoilers for The Lego Movie, Guardians of the Galaxy, The Matrix, Western Civilization, and—cod help me—Bulletproof Monk*.) is the thing where there’s an awesome, smart, wonderful, powerful female character who by all rights ought to be the Chosen One and the hero of the movie, who is tasked with taking care of some generally ineffectual male character who is, for reasons of wish fulfillment, actually the person the film focuses on. She mentors him, she teaches him, and she inevitably becomes his girlfriend… and he gets the job she wanted: he gets to be the Chosen One even though she’s obviously far more qualified. And all he has to do to get it and deserve it is Man Up and Take Responsibility.

And that’s it. Every god-damned time. The mere fact of naming the films above and naming the trope gives away the entire plot and character arc of every single movie.

Elizabeth Bear - My Least Favorite Trope (via owldee)

Here’s a sure-fire way to know that you hate women: when an incident of intimate partner violence in which a man knocks a woman unconscious gains national attention and every question or comment you think to make has to do with her behavior, you really hate women. Like, despise.

There is no other explanation. There is no “I need all the facts.” There is no excuse. You hate women. Own it.

Now, you probably don’t believe you hate women. You probably honestly think you’re being an objective observer whose only interest is the truth. You are delusional.

We have this problem in our discourse around the most important challenges we face where we feel we have to be “fair to both sides.” But sometimes, one of those sides is subjugation and oppression. If you’re OK with legitimizing that side in the interest of “fairness,” you’re essentially saying you’re OK with oppression as a part of the human condition. That’s some hateful shit.

Mychal Denzel Smith | How to know that you hate women (via thepeoplesrecord)

medievalpoc:

kyraneko:

medievalpoc:

frank-e-shadow-tongue:

supernatasha:

part-ofthecult:

Hogwarts Founders
» Idris Elba // Lucy Liu // Hrithik Roshan // Angel Coulby

While I do love that whoever made this did a good job matching actors to characters, the one issue I have is that Hogwarts is in England and what founded several centuries ago. I’m not saying that there wouldn’t have been blacks or asians in England at the time, but it’s still a historical inaccuracy to depict them as anything other than white Englishmen, since the culture of England at the time wouldn’t have had room for blacks and asians as anything other than slaves or traders.

Please don’t take this as me being racist, this is just me with a debilitating and incurable need for historical accuracy.

So let’s see. The Sorting claims it’s origins about a thousand or so years ago in it’s song, which implies the 1000s. JK Rowling described them as “medieval," which is about 500 to 1500, again agreeing with our 1000 date. So let’s work with that. We’ve got a pretty decent timeline to work with here. 

There have been black people in Scotland since “classical times,” and black moors present in James IV’s royal court in the 1500s, plus there’s St. Deiniol in Wales in the 500s, implying black people were also in the religious court instead of all just slaves and servants. Therefore, could a strong and fearless future-Gryffindor have ancestry native to the Isles? Hmmm.

Hannibal of Carthage was definitely not white (at least not in the modern sense). As a matter of fact, many Mediterranean descended people are mixed with Central Asians, South Asians, and North Africans so… But anyway, in 1555, black men were learning to be interpreters in London to help with trading in the Ghanian region. Here’s a coat of arms with black people on it dated 1616. Also, literally how do you not know about Dido Elizabeth Belle, an aristocratic lady of Scotland from the 1700s???

The Romani migrated out what is now modern day India and Pakistan in about the 1000s, so add in that they’re wizards who can fly and all that jazz, they could’ve easily gotten there within a year or two and settled in Scotland once they learned white people weren’t treating them very kindly. There you go, that’s how a South Asian Slytherin made it to Scotland just in time to found Hogwarts.

Here’s desi people of color from the Indian subcontinent, called Lascars, who had been sailing in Europe from as early as the 1400s, possibly earlier, still fitting that there could’ve been wizards in the British Isles about a hundred or so years earlier. Art from the 1600s showing brown men in turbans. Here’s an Indian man who in the 1700s ran a successful restaurant in England and taught white people to shampoo their hair lol.

Japanese emissaries came to Europe as early as 1584 and observed there were already Chinese and Japanese slaves among the overwhelmingly black slaves, something blamed on Christianity, which was part of the reason why Japan vehemently became isolated from that point.

Also about East Asia, Mongolian Genghis Khan made it to about Poland-ish in the 1200s, so it’s not a far bet to say the Chinese (who were also conquered by Khan on his way to Europe) could’ve found their way to Scotland around that time or a few hundred years earlier. Along with a smart cookie who would go on to be the founder of Ravenclaw.

Native Americans, of course, have been present in Europe for a while. In the 1500s, Manteo and Wanchese arrived in London. There’s evidence the Vikings and Indigenous Americans were friendly long before when Columbus blah blah, and there’s even evidence of Native Americans in Holland that’s like 2000 years old. Could a kind and loyal future Hufflepuff be one of those mixed race indigenous American-Africans?

ALSO considering the fact that Binns (the history professor at Hogwarts) specifically stated that witches and wizards were being persecuted and Hogwarts was built out of sight of Muggle eyes, it’s completely possible that POC came to Scotland and built the castle happily for other magical humans to have a safe place. Since HP universe is a fantasy anyway, read these article while you’re at it.

So yeah, I understand your implication that you don’t want to be racist or anything like that (bc being called racist is ofc so much worse than actually being ignorant), but POC were not just traders and slaves in the British Isles, they were a fuckton of other things your history books aren’t telling you (or trying to intentionally steer you away from). So me having an all-brown cast for a location in a dominantly-white place I’m sure is irking the fuck out of you, and that makes me so glad to see you confronted with that “incurable” need for historical accuracy you have.

And check out this rad blog: Racebending Harry Potter.

how come the only time people mention the enslavement of black people in Europe is when they want to deny our presence in fantasy fiction?

And that’s what it really boils down to pretty much every time.

Because someone couldn’t deal with a single photoset with characters of color in a FANTASY setting. None of the “fact checking” is really necessary, because that isn’t really the issue. Fantasy fiction isn’t something that should be subject to “proof”, but when it comes to racial diversity, it invariably is every time.

It’s my hope that with Medievalpoc, this endless quibbling about what is and is not “historically accurate” can be done away with, and Toni Morrison’s quote here can become creative people of color’s realities:

image

I love how the OP is “not racist, just suffering from a need for historical accuracy” and yet feels the need to piss on somebody’s fantasy fancasting, not about the plausibility of wizards who almost certainly didn’t exist but about the plausibility of people of color who not only did exist but demonstrably did exist there.

Telling people that they can’t have fiction about people like them because you need “historical accuracy” in their fantasy is, at best, selfish as fuck; treating people of color like anything they produce is yours first and foremost, not theirs, is well into racism territory, both in what it does to them and that you feel you can and should do it.

Also, citing a need for historical accuracy to support a very simplistic, naive, utterly unresearched position that boils down to “my assumptions make sense to me so nothing else could ever be right” plus “it can’t have been different from what I think because nobody ever told me” is self-servicing bullshit. Historical accuracy means you look at what IS rather than just assuming what you want to see. Granted, history is historically shitty at this. OP is nothing new. But OP is also applying more stringent standards to someone else’s fiction than to hir own understanding of history. And that’s no good.

That’s a pretty good summation. And that’s the thing-none of this is really about history at all.

have you considered that maybe i am not pleasant?

maybe i wear lipstick so that
you will see my pretty pink mouth
wrapping around a coffee cup lid
and be distracted enough not to notice
that i am intelligent and powerful;
a threat.

maybe i draw my brows into high arches
so you will look at my unimpressed skepticism
and overlook my spiteful glare
as a trick of my silly, girlish routine.

maybe i wear my heels so high and thin
so that i grasp your attention with the sway of my hips
as i listen to the click-clack-click against the floor
and know that if you should try to overpower me
i walk on sharpened knives.

maybe when i laugh at your worthless jokes
i am really baring my fangs
waiting patiently for the day
that i sink them into your neck.

i am not made of porcelain pleasantries;
you will find that these things are my armor
to keep you at a distance
so you do not step on me and shatter
my fragile control.

i am not a husk — i am not wilting.
i am turning my head
so that the fire blazing through my eyes
does not catch on the accelerant of your sweaty palms
and burn your bones to dust.

i am not your pretty girl;
i am a fury, a faerie, a phoenix —
a forest of werewolves and wendigos
that will carve out your chest
so that the next time i paint my pretty pink lips
i will taste the copper tang of your dying breaths.
R.K., I Am The Wolf Only Barely Contained (via sufferxthexagony)
Everyone assumes that we will know how to love instinctively. Despite overwhelming evidence to the contrary, we still accept that the family is the primary school for love. Those of us who do not learn how to love among family are expected to experience love in romantic relationships. However, this love often eludes us. And we spend a lifetime undoing the damage caused by cruelty, neglect, and all manner of lovelessness experienced in our families of origin and in relationships where we simply did not know what to do.
bell hooks, All About Love (via sugaryumyum)
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